The late GeekBrief followed this format and did very well. Or maybe you want to be among the first to talk about the latest tech news. Cliff Ravenscraft's Weekly Lost Podcast followed this format. But have you also considered a semiweekly (two a week) episode? Perhaps an initial-reactions episode immediately after the TV show airs, and then a later, more thought-out episode with feedback. If you talk about a weekly TV show, then it's probably obvious that you should have a weekly podcast. How frequently should you podcast?ĭetermining how often your podcast (your frequency) is very dependent upon your content. I have a lot of emails and voicemails to go through I promise to respond to them all, but it's taking a little while to sort them out. I share some tips on determining the right balance for your podcast.Īudacity tip: how to switch playback and recording devices within Audacity. You have to experiment.Subscribe to enough podcasts and you'll see lengths from thirty seconds to two hours and frequencies from multiple times a day to once a month. I don’t have a good feel for how you would integrate Chris into all your other tools. Chris will occasionally damage the end of a show, so I would leave trash at the end, or leave out the last edit, compress and then cut off the extra later. I changed the first setting Compress ratio from the default 0.5 to 0.77 and it sounded exactly like the broadcast. I used Chris’s Compressor on them all and it worked a treat. The podcast didn’t have to go through the broadcast sound processors. One of the two mumbled in his beer and the other had a thermonuclear laugh. The first time they offered it as a podcast, it was almost unlistenable because of volume variations. There was a broadcast radio show that I listened to for years, but always on the radio. That’s your performance archive against the time Audacity goes into the mud in the middle of editing and you would otherwise have to record it all again. When you get finished recording a set, Export it as WAV (Microsoft). I know senior recording engineers who can do that, but even they would have trouble and they wouldn’t be using home equipment. Probably the one thing you’re not going to be able to fix is constantly moving the recording room.
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